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A group of college students venture into the Black Hills Forest in Maryland to uncover the mysteries surrounding the disappearance of James' sister who many believe is connected to the legend of the Blair Witch. At first the group is hopeful, especially when a pair of locals offer to act as guides through the dark and winding woods, but as the endless night wears on, the group is visited by a menacing presence. Slowly, they begin to realize the legend is all too real and more sinister than they could have imagined.
About Blair Witch
Artist : Callie Hernandez, James Allen McCune, Brandon Scott, Wes Robinson, Corbin ReidAs : Callie Hernandez, James Allen McCune, Brandon Scott, Wes Robinson, Corbin Reid
Title : Blair Witch Estrenos De Cine
Release date : 2016-09-16
Movie Code : 0185937
Duration : 89
Category : Horror
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"Blair Witch" comes to the party very late and very tired, and it doesn't improve from there.
The actors never put a foot wrong; the video diary form allows no artifice, so that as terror mounts, the dread is infectious.
Blair Witch manages to strike a balance between pleasing the fans of the 1999 found-footage film and working as a Friday night at the multiplex, mainly by sticking to the principle that what you don't see will always be scarier.
If you can handle its unconventional approach, you won't feel as if you're seeing a film so much as witnessing a living nightmare.
There's no denying the terror in The Blair Witch Project. It's fierce, it's palpable and it gets deep under the skin.
This sequel gets progressively messy while The Blair Witch Project grew progressively taut.
Heather's shaky video work can induce motion sickness - it looks like combat footage as she bolts through the woods - but just try turning away.
A most inventive departure from standard horror fare.
Using the most modest means, Sanchez and Myrick manage to tell a compelling story, create recognizable characters and hold our attention even when there's literally nothing on the screen.
Belated "official" sequel to 1999 hit updates technology but repeats the original's shocks - only much louder and lamer
Tedious in its early going and all but unwatchable in its final half-hour, the movie feels interminable at a barely-feature-length 89 minutes.
Blair Witch nods to the first film but never rediscovers its power.
[A] creepy tale of witchcraft, murders and ghost sightings.
The Blair Witch Project should be remembered for its uncanny and sometimes deceptive knack for selling itself.
The viewer never glimpses anything more than the shadow of a clever movie.
Without real innovation or story evolution, "Blair Witch" becomes a trip down a rabbit hole of misery and suffering. Life's too short - especially in these woods.
The set-up is the same, and while that felt fresh in the first film, it now just kind of drains the piece of tension because we know no one is making it out alive.
What can anyone say about The Blair Witch Project that hasn't been trumpeted from a thousand Web sites already?
Simple but devastatingly effective.
By sticking so slavishly to the original Blair Witch film's template, the result is a dull retread rather than a full-on reinvention, enlarging the cast numbers this time but sticking to the same basic beats.
Pic comes across as smart without feeling manipulative.
Whenever night falls, the movie takes off, but in a slow creep, with all your childhood fears of the dark suddenly revealing themselves as absolutely reasonable.
Wingard was in high school when "The Blair Witch Project" came out, so he's checking something off his personal list here. Everyone else moved on from "Blair Witch," with good reason, a long time ago.
It's nothing more than a sophisticated clone of the original, and it really overdoes the shaky-camera thing - even more than in some of the worst found-footage movies The Blair Witch Project spawned.
The scariest shots, from someone's little Hi-8 camcorder, document the students losing their bearings, giving way to panic and finally falling victim, though off screen, to some ineffably, unphotographably evil presence.
You don't need buckets of moolah and a zillion computer-generated effects to get a rise out of an audience. Just a little imagination, a little suggestive terror, will do quite nicely.
What gives the film much of its force and its mounting sense of queasy uncertainty is its narrative method, which ensures that we know no more about the proceedings than the characters do.
What becomes especially impressive about Blair Witch is how relentlessly it sticks to its vision.
Running and screaming may be essential to a lot of horror movies, but as "Blair Witch" shows, they're not scary in themselves. For that, you need the stuff between the running and screaming.
The simplest effects are the most effective "effects." That's the horrific lesson of micro-budget masterpiece of modern horror, The Blair Witch Project.
A thrill ride that's as terrifying as it is no-nonsense.
Rather than exploring new ground, it sends us down familiar terrain, provoking shrieks for the mercy of a quick ending.
Sanchez and Myrick deserve credit not only for attempting something different, but for succeeding so brilliantly at it!
At a relatively compact 89 minutes, the picture still feels about 20 minutes too long thanks to all the repetition of familiar elements.
Compared to the ill-fated "Book of Shadows: Blair Witch 2 - the first follow-up which was rushed to market for financial reasons - this new iteration still comes across as downright inspiring.
Even if there were no witches in the world, these idiots would probably get taken out crossing a busy street.
The creepiest and most original horror film since John Carpenter's classic Halloween.
I have seen the new face of movie horror and its name is The Blair Witch Project, a groundbreaker in fright that reinvents scary for the new millennium.
At least a third of "Blair Witch" consists of people running through the woods with flashlights, shouting out each other's names. A little of this goes a long way.
The very crudeness of the film stock and technique contribute mightily to the feeling that things are out of control, disoriented and possibly subject to unnatural laws.
It's been a long time since a movie did so much by showing so little.
With nothing new to add to the "Blair Witch" mythos, this is one found footage movie that should have been left lost in the woods.
Perhaps for someone who never saw The Blair Witch Project, this might represent an adequate scary movie.
There's a sharp division between the chill of "I think I just saw something!" and the confusion of "I don't know what the hell I just saw!" and "Blair Witch" often falls on the wrong side.
Barrett and Wingard slavishly reprise the beats of the original movie and suffer gravely by comparison.
Wingard's movie, for all its abundant mischief, doesn't trust the power of its own illusion. You can see these woods a lot more clearly now, and what you see is that you've been here before.
Was I supposed to be scared by this thing?
The thought that Blair Witch Project just might be real makes it much scarier than any of the teen horror flicks that have stumbled along in recent years.
In short, the film is a clever, entertaining stunt, no more, no less, and a terrific calling card for its fledgling filmmakers, Daniel Myrick and Eduardo Sanchez.
All in all, Blair Witch was quite satisfying and made me think: This is what the first sequel to the original film should have accomplished.
Blair Witch is the most dangerous film in captivity. It's a no-excuses horror show with an emotional wallop like falling headlong into a bear trap.
Although the payoff is ambiguous, the experience remains in the mind. It's an absolutely restrained and truly frightening movie.
A movie which scared the crap out of everybody from Cannes to Sundance, and which is definitely worth the hype.
You can dismiss The Blair Witch Project as a trick. Or you can give in to the treat and savor that rarest of accomplishments in a field notorious for tedium and repetition - an original horror movie.
A picture like The Blair Witch Project just takes your breath away.
Emerges as satisfying in its own right and pretty damn scary.
The film is a faux documentary, made by two first-time filmmakers.
Blair Witch's comparatively maximalist approach shows too much and scares too little.
While Blair Witch does have a few moments of tension and dread, it simply doesn't recapture the once-in-a-lifetime terror that made the original film so unforgettable.
At a time when digital techniques can show us almost anything, The Blair Witch Project is a reminder that what really scares us is the stuff we can't see. The noise in the dark is almost always scarier than what makes the noise in the dark.
The Blair Witch Project" is the scariest movie I've ever seen. Not the goriest, the grossest, the weirdest, the eeriest, the sickest, the creepiest or the slimiest. Just flat out the scariest.
As a manifestation of multimedia synergy, it's pretty spooky.
Wingard and Barrett aren't trying to reinvent the wail here, which is mostly a good thing.
Blair Witch oozes spellbinding primal fear!
It might be the scariest movie ever made!
The great power of the film lies in its simplicity, in the slow-building tension and psychological melt-downs.
The acting and filmmaking are too crude to make you care about what happens . even though you know pretty much exactly what that will be.
It administers its jolts with impeccable timing and may well satisfy those who felt swindled by the hype surrounding the much-more-suggestive original.
A cunningly conceived and crafted exercise in suggestibility and terror.
I could tell you the story - give away every detail - and The Blair Witch Project would still freeze your blood.
Barrett and Wingard guide us on a slightly different path, but it's clear early on that the destination will be all too familiar.
Sanchez and Myrick's film knows that what's not seen frightens more easily that what is, and that the imagination's thoughts of what might have happened generally horrify on a deeper level than knowing what did.
A significantly more accomplished and entertaining sequel than 2000's woeful cash-in Book of Shadows: Blair Witch 2, [this] nonetheless reps something of a missed opportunity.
Blair Witch follows the original's beats so precisely that at times it seems the film is more eager to elicit memories of its predecessor than to stand on its own at all.
"Blair Witch" runs only eight minutes past the original, yet it feels about a half-hour longer.
Where is the suspense? Where is the involvement? Where is the identification?
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